Like many babyboomers, particularly those with kids in college like myself, the question usually comes up where are the protest movements. The Bush regime has offered us one policy disaster after another, from Iraq, torture, to an 11 trillion dollar deficit to Katrina, the billionaire tax cut, the cronyism and the scandals, to the latest Wall Street crash (which technically they did not start but helped create the conditions for), to global warming denial. In contrast to late 1960s --the question is asked by me and other boomers --why were the campuses so silent during this period? David Segal in "Where Have All the Protests Gone?" in Wednesday's Washington Post offers a few "expert" explanations:
Explanation Number #1--It is Due to the Internet:
"I think the Internet has become a channel for all kinds of countercultural expression, including discontent and critique," said Miles Orvell, a professor of American studies at Temple University. "But it might have this paradoxical effect. It enlarges the conversation, but it can also produce a kind of passivity. It's like, 'I've said it and that's all I need to do.' A lot of young people seem to use the Internet as a surrogate community, and to that extent, it might diminish participation in the visible sphere."
Explanation Number #2: Protests are no longer where it is at--it is organizing:
"The action now, according to Daniel May, who once worked for the Service Employees International Union, is all door to door. They're raising money, they're getting out the vote.
Explantion #3
Our Kids Are Smarter Now--They Realize that Protests Create Ugly Backlashes:
"The organizers of my generation were shaped by 1968," said May, who is working toward a master's degree from Harvard. "But one lesson is that 1968 marked the first year of 40 years of conservative rule. Why would we want to replicate that? There's a real limit to protest politics. It's politics as catharsis and that eventually leads to cynicism."
It would be a mistake, in May's estimation, to confuse the lack of effigies with a lack of passion. The kids who once marched are now trying a different approach, he said, using techniques that were dismissed by their parents as too establishment. May's mother, Elaine Tyler May, a historian at the University of Minnesota, says she used to think that the youth of today just couldn't be bothered. But she has changed her mind.
"My son tells me it's politics that's more interested in power than in protest, and on a good day, that's how I see it," she said. "I still have this impulse to go yelling in the street, but what I see my kids doing is far more effective. I think we're just old and we don't realize -- there's a groundswell of political engagement that we just don't see."
Explanation #4: Careerism has Replaced Intellectual curiosity
"Most college students just don't feel like they have a vested interest in what is happening today," she said. "I hate to say it, but a lot of my peers calculate the opportunity cost of coordinating with others -- or planning a sit-in or a walkout or just some protest -- against the urge to write a paper, get an A and go to Harvard Law School."
McMillan isn't exempting herself from this charge. She quit the CCD last year after spending five hours squabbling with the Socialist Club about what to put in a news release. It all seemed tragically disorganized to her. But she knows what's happening in the world beyond Columbia, which is more than she can say for a lot of her classmates.
"No one was really curious about Iran until the president of the country came to speak at our campus," she said. "Then it was like, 'Oh, yeah. Iran.' A lot of my friends get all their political news from 'The Daily Show,' or from Perez Hilton, who does more political commentary than you'd think. We spend more time padding our résumés than trying to stay informed."
Todd Gitlin sixties expert and Columbia University Professor has an interesting take on the changes in popular culture as part of the reason:
"There was a culture of confrontation back then," he said. "You were either on the side of the authorities -- not just the president, but the police and the suits -- or you were an outlaw. You took psychedelic drugs and you protested and you drew a line between yourself and the prevailing culture."
That line is getting harder to draw, Gitlin said, in part because the counterculture has been mainstreamed. Rebellion is no longer a clarion call; it's a marketing pitch.
"Where is the Frank Sinatra of today? Where is the Tony Bennett? Who represents easy-listening normality? Popular culture is now a rebel industry. There is no inside to it. It's all outside now."
Look at rap. Gangsta rappers such as Jay-Z and Rick Ross are self-professed outlaws all right, but they don't want to opt out. They want to buy in. Their aspirations are hard to distinguish from those of a hedge-fund cowboy -- luxury cars, Cristal, yachts. They are unabashed fans of success just as it is defined by the latest crop of MBAs.
"430 Lex with the convertible top," Big Tymers rap on "Still Fly," a song that also name-checks Mercedes-Benz, BMW, Prada and Gucci.
Luxury product placement in a song from the mid- or late '60s? No way. Music was ominous (Dylan's "All Along the Watchtower"), sometimes sardonic (Creedence Clearwater's "Fortunate Son") and occasionally satiric (the Beatles' "Piggies"). It reflected the gravity of the times or it looked forward to a utopian future that seemed distant but possible. There wasn't a lot of rhapsodizing about money."
Good points? I wonder? It would be nice to have some reader feedback on this one--come on folks? Let us hear from you--babyboomers and their children!
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