Wednesday, January 28, 2009

John Updike--Major 20th century Author Departs the Scene


John Updike died of lung cancer on Tuesday and with his passing vanishes one of the last of the great American novelists of the past century. And the first person many of us boomers read (let us be honest) to find out about male female relations. There was no more joyful introduction to that world than his superb novel Couples. In this novel he seemed to perfect a wonderfully lyrical sentence that fused insight with crystal clear observation that allowed us to glimpse a more spirtually resplendent world than the one we currently inhabited.

Updike was wonderful observer of humankind--particularly a certain type of New England middle class American--many of whom might be described as self involved boomers. If his themes were a bit too narrow to win him the Nobel prize, his range as a writer was large-from Bech a Book, to Witches of Eastwick to Terrorist. .


But they all seemed terribly minor works next to the Rabbit books for which he will undoubtedly be remembered for.
The novels bring to life a version of what it was like to experience an America that although prosperous and happy on the outside was often anxious, depressed and disatisfied. Rabbit is Rich, possibly the best of the novels and the last in the series describes a less than fulfilling American dream for the former basketball player as a Toyota dealer salesman. Updike's technique in the Rabbit series clearly influenced Richard Ford to create his own Bascombe series of novels (The SportsWriter, Independence Day and Lay of the Land) to take the analysis of American middle age discontent further and deeper. He was also a fine critic--he leaves several volumes of superb criticism that was often too exquisitely written and lacking a central punch or theme.


Jesse Kornbluth recounts an interesting anecdote. As a testament to that early greatness that was so obvious as early as the 1970s Jesse Kornbluth
recounts a mistaken call that led the writer John Cheever to write an early obituary of Updike.

"
A reporter who called him at four in the morning to tell him --- incorrectly --- that Updike had been killed in a car crash. Later, Cheever wrote in his journal:

As for John, he was a man I so esteemed as a colleague and so loved as a friend that his loss is indescribable. He was a prince. I think it not difficult to kiss him goodbye --- I can think of no other way of parting from him, although he would, in my case, have been embarrassed. I think him peerless as a writer of his generation; and his gift of communicating --- to millions of strangers --- his most exalted and desperate emotions was, in his case, fortified by immense and uncommon intelligence and erudition."


For a first seismic sense of the magnitude of the loss and the debt felt by the American literary scene--from Jonathan Lethem, Joyce Carol Oates to Richard Ford---there is no better place to visit than the New Yorker magazine's "Remembering Updike"

Thursday, January 15, 2009

Patrick McGoohan Dead at Age 80: Forever Remembered as "The Prisoner"



Patrick McGoohan was to many of us who grew up in the UK in particular a boomer hero-and in The Prisoner became the epitome of a rebel aginst conformity, encroaching state and corporate control--with his great speech--always played at the opening of the Prisoner--I am not a number --I am a free man. See Chas Andrews review on the website for more details of the Prisoner and why it quickly became the hit among so many of us boomers.

While McGoohan did not have a stellar film career as the Washington Post obituary points out --he did deserve credit for keeping the man he played in several TV and cinematic roles essentially the same straight arrow: He resisted the womanizing Bond image and interestingly turned down playing Bond before Sean Connery took the part and made it his own:


"When Drake fights, he fights clean," Mr. McGoohan once explained. "He abhors bloodshed. He carries a gun, but doesn't use it unless necessary -- and then he doesn't shoot to kill. He prefers to use his wits. He is a person with a sophisticated background and a philosophy. I want Drake to be in the heroic mould, like the classic Western hero -- which means he has to be a good man."

And so he has entered TV and Boomer legend history--except he was more than just an actor--writing some of the episodes of The Prisoner himself--directing others and
was also responsible for choosing the great setting for the show--always to be known as "the village" --he discovered the sinister place whule making "Danger Man, which as the Post informs us "was filmed at the Portmeirion resort in North Wales. He was so struck by the architecture, which blended several incongruous styles, that he made it the background for "The Prisoner."

So we will miss him. If any of the networks will care to re-run the Prisoner --I will be watching..

Saturday, January 10, 2009

William Zantzinger dead--Made Infamous by Dylan in Song



The Lonesome Death of Hattie Carroll is surely one of Dylan's most important songs --the detailed imaginative leap in understanding Hattie Carroll's world allows us to feel in our spleen Zantzinger's repellent racist act--teaching our entire moral sensibility-- not just our heads.

We now might regard the death of William Zantzinger on January 3rd this year as an end of an era as we get ready to inaugurate our first African American President. A bookmark made more poignant by noting that Zantzinger was a child of privilege and attended the same school--Sidwell Friends --as the one that the Obama children have just begun this past week.
The Washington Post notes his passing and opens the obituary notice with words taken from the great lyric:

William Zanzinger killed poor Hattie Carroll

With a cane that he twirled around his diamond ring finger

At a Baltimore hotel society gath'rin'.


The song first appeared on his 1964 album "The Times They Are A-Changin'." The Post informs us that "Dylan used an incorrect spelling of Mr. Zantzinger's surname in the song lyrics."


The Post reconfirms that Dylan did not change any of the essential details of the incident :

On Feb. 8, 1963, a young, socially prominent tobacco farmer from Southern Maryland named William Devereux Zantzinger got uncontrollably drunk at a charity ball hosted at Baltimore's Emerson Hotel. Carrying a cheap toy cane and dressed in top hat for the Spinsters Ball, he began the evening in a spirit of jest by imitating Fred Astaire.

As he drank more, Mr. Zantzinger, who was a husky 6-foot-2, became threatening in his demeanor. He assaulted a bellhop with his cane and shouted at a waitress, "Hey, black girl, bring me a drink!" He tumbled down on his wife while dancing with her.

Then he went back to the bar and demanded a drink from Hattie Carroll, a 51-year-old barmaid with 11 children and a history of high blood pressure. "Just a minute, sir," she said, which angered Mr. Zantzinger. It was not how he was used to being treated on his 630-acre farm along the Wicomico River in Charles County.


Zantzinger we learn from the obituary served only six months in jail and paid a $500 fine. The 'regular Southern Maryland boy' then in 1991 was indicted for collecting more than $64,000 in rent on properties he no longer owned--properties located off a dirt road and lacked indoor plumbing. He even had the audacity to sue for rent when his "tenants" did not pay and raised the rent on the properties. He had no kind words for Dylan whom he called a "no-account [expletive]" who had distorted the facts of the case. He told Dylan biographer Howard Sounes, "I should have sued him and put him in jail."

But let Dylan have the last word on this as he sings circa 1964 his great song--courtesy of YouTube:

Tom Rush on the Gentle Art of Forgetting

This is a post from an excellent website "Fifty is the New."..http://www.fiftyisthenew.com/

Honey, Did you Put Away the Groceries… (or did I)?
December 23, 2008, by Prudence Baird

If you have ever found the dishwasher running and wondered who turned it on—even though you’re the only one home—then this song is for you!
I was lucky enough to see folksinger Tom Rush at the fabulous and vintage Colonial Theater in Keene, New Hampshire, last month. He makes mis-remembering acceptably cool.

Learn more about Tom Rush at his website >>